The Vampire Diaries: The Awakening & The Struggle

When handsome and elusive Stefan Salvatore arrives in the small town of Fell's Church, everyone takes notice--even blonde Queen Bee Elena Gilbert. Elena can't help but be drawn to the quiet stranger in her European History class. Fortunately for Elena, the attraction is mutual. Unfortunately for Stefan, he isn't the only Salvatore brother fascinated by the beautiful Elena and the town's initial fascination has quickly turned to suspicion after a string of people are attacked soon after his arrival.

A quick warning to the devoted fans of the TV show: the books are VERY different from the show. The first time I attempted to read this book it was hard to get into the story because it was such a departure from the series (ex. Elena is blonde, Bonnie is a redhead, Caroline is a brunette, and that's just the tip of the iceberg!). The second time around I started reading knowing that it would be very different and it was a much more enjoyable experience. The writing is very similar to L.J. Smith's other works--it's quick and fast-paced read. This is a book that someone could easily finish in a day or two. The writing is geared toward a very young audience (perfect for late elementary or early junior high) and for that reason, it can feel a bit patronizing as an adult reading it.

The edition that I read is the one pictured above and it has the first two novels in the Vampire Diaries series conveniently and compactly packaged together into one. Out of the two stories I preferred the first one which is entitled The Awakening. The story chronicles the very beginning of Stefan and Elena's relationship. It also talks about how Stefan and Damon became vampires in the first place (if you think you know all the details, you don't). The second story, The Struggle, was considerably less focused than the first. It lacked enough material to stand as a novel on it's own and in retrospect it became very obvious that its main purpose was to serve as a transition between book one and book three. 

Compared to the show, the book series worked at a much quicker pace. Things that have just happened at the beginning of the fourth season happened at the end of book two. Also, the first two books tend to focus almost entirely on Elena and her feelings for Stefan (and eventually Damon) while the show has more time to look at the stories of supporting characters like Caroline and Bonnie and Tyler. Although the book is almost always better than the film/television adaption, this is not the case in this situation. The television show takes everything great and fascinating about the book series and, with a little help from a fantastic writing team, creates an action-packed hour of entertainment each week with a more developed plot and more fleshed out characters. It also doesn't hurt that there are some very attractive men on the show as well.

In conclusion, the first two books of the Vampire Diaries series are both fun, quick reads. The TV show hasn't stayed entirely faithful to the books from which it is based--and, quite frankly, that's a good thing. Other than Stefan, none of the characters are well developed and the story seems to run out of gas halfway through the second novel. It is a light and easy read but if you want an entertaining story about vampires, witches, and werewolves tune into The Vampires Diaries on the CW.

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Don't Look Down

Lucy Armstrong has never directed a feature length movie before but she somehow finds herself on a movie-set with her lying ex-husband, her energetic niece, her lethargic younger sister, two unenthusiastic lead actors, and J.T., an attractive Green Beret. As if things couldn't get worst, Lucy learns that she also has to deal with a hungry alligator and Pre-Columbian green phallic stones [that claim to cure impotence]. Lucy must find a way to finish the shoot and keep everyone alive--while finding time to spend time with J.T.

Don't Look Down is Jennifer Crusie and Bob Mayer's first attempt at a collaboration. And to be honest, it feels that way. Their writing styles are synced--but it doesn't feel like a melding of two minds but rather like Mayer is mimicking Crusie's distinctive style. Adding a few paragraphs filled with military/tough-guy jargon every couple pages seems to be Mayer's only noticeable contribution to the novel. And even Crusie's up-beat, funny style seems a little dull in comparison to her other works and even when compared to her later collaboration with Mayer, Wild Ride. Crusie and Mayer have their moments of brilliance and humor but their accomplishments are overshadowed by their shortcomings.

To be blunt, the plot is more than a little unoriginal--girl meets tall, dark, and dangerous man; things blow up; all the good guys live happily ever after. But despite its predictability, Don't Look Down is definitely a confusing ride. The plot seems all-over-the-place and there are so many characters to keep track of that it gets overwhelming. But in spite of its faults, Don't Look Down is an entertaining read. Something to take on a long flight or borrow from the library. It is only so disappointing because Crusie and Mayer are dynamic authors in their own right and together they should be a firework show on the 4th of July.

While Crusie and Mayer might not live up to such [arguably] unrealistic expectations, Don't Look Down is fun read filled with action and romance. It foreshadows the amount of excellence that develops from Crusie and Mayer collaborations in the future--once they get the hang of it. Practice makes perfect.

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Confessions of an Ugly Stepsister

Iris is famous but no one knows her name. She is better known as the ugly stepsister. After the death of her father, Iris moves to Holland with her mother and sister, Ruth. Struggling to survive in a new country, Iris and her family eventually find a place to stay with a wealthy merchant. He has a wife and a daughter that is known for her beauty, Clara--the girl that is better known as Cinderella. The world is familiar with Clara's tale but is there any truth to it? How did a girl from Haarlem become a princess? With the help of a fairy Godmother? Confessions of an Ugly Stepsister tries to set the record straight and tell what really happened that night at the ball.

Gregory Maguire is known for reimagining classic tales and giving them a more adult twist. He is well known for his novel, Wicked--which has had a very successful run through the novel's musical interpretation on Broadway. Confessions of an Ugly Stepsister has a brilliant concept but the story only has echos of the Cinderella tale that most of us grew up on. To be honest, it would be difficult to know that Confessions was based on Cinderella without the title and the backcover proclaiming it to be a reimagined fairy-tale. It can more accurately be described as a historical fiction novel about a young girl growing up in 17th century Holland. There is more talk about tulips in this novel than that of princes, balls, glass slippers, and magic combined.

Most of the story takes place long before the famous ball comes into play. Maguire spends most of the novel focusing on the three girls as children--which isn't as interesting as it would seem. Maguire is a talented writer. His writing is easy and engaging but he spends almost too much time focusing on points that don't propell the story forward. It makes the tale feel stagnant and muddy. And although Iris is the observant child and her tale is supposed to add more insight and depth to the fairy-tale we all know and love, I found this novel underwhelming. Maguire brought nothing to the fairy-tale that elevated the story. Clara--the Cinderella of our tale--seemed distant and removed. It would have been more interesting if Iris had gotten to know Clara more. What was Clara thinking when she became the "cindergirl"? How did Clara deal with the loss of her mother? What happened with Prince Charming in that room at the ball?

All these questions lay unanswered but Maguire spent pages upon pages writing about the tulip economic crash in the 17th century. It seemed as if he were more interested in that historical event and the fairy-tale influence was added later to sell more copies. Maguire changed the protaganist of the tale and that was his first mistake. Clara was the more interesting and complex character. Her background was mysterious and her motives were unpredictable. Iris was bland--watching from the sidelines more often than actively particpating in the plot. Even Ruth would have made for a more interesting protaganist!

Maguire attempted to give an old classic new life but instead, he made Cinderella into a tale about four unlikable women and two unlikable men--Caspar gets a pass because he is the true prince charming in this tale. Cinderella is bright and happy but this tale is rather depressing. It isn't a happily-ever-after ending but neither is it very an inspirational or literary. It tries to be everything at once and in the end fails to be anything at all--well, other than bland and long.

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The Mediator #3: Reunion

Suze has been busy since moving to California but it's only about to get busier when Michael, her fellow classmate is being target by a group of four ghosts who recently died in a car accident. Suze believes that it is her duty as mediator to protect Michael. But Suze quickly discovers that the car accident wasn't an accident and the killer is not done yet. And this time the killer's target hits a lot closer to home.

Meg Cabot is a great writer but this one fell a bit flat. She is great at creating this funny, strong female characters that are easy to relate with even if they happen to have supernatural powers like Suze.  I've always thought that her strongest books are the ones she writes for adults but even when compared to her other YA novels, The Mediator series isn't her strongest. The characters aren't incredibly developed and the narration is geared towards a much younger audience. I liked the past two novels in the series--although I never did a review for the second book--but Reunion is easily the lowest point out of the three.

The plot deals with a situation where the lines of morality are very blurry. But instead of taking the chance to explore the complex nature of right and wrong--Cabot took the easy and very boring route of letting the police handle the situation. Anyone who has ever watched the news or seen an episode of Law & Order will know that the law is a flawed system and justice is not always served. It would have made for a much better book if Cabot had taken a different route and allowed the reader to explore the morality of the situation with a bit more depth. Yes, I understand that it is a YA novel but that is no excuse. 

I was disappointed by the murder-mystery part of the novel but I was also frustrated because I have read three books and the relationship between Suze and Jesse [the dead boy who hangs out in Suze's room] hasn't moved forward. She spends a lot of time thinking about him--mostly his incredible abs--but nothing has really happened between the two. I am waiting and waiting but I am growing increasingly impatient. Since the plot was so lackluster it would have been nice to see some development in that area of Suze's life but...nothing. If you are planning to read The Mediator series and want to save some time, skip book three. You aren't missing anything.

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A Mango-Shaped Space



Mia Winchell has lived her entire life seeing sounds, numbers, and letters in bright colors. It isn't her strong imagination or a sign that she is losing her mind--Mia has synesthesia [although she doesn't know it]. Mia first realized that she was different from everyone else in third grade. Afraid of being labeled a freak, she keeps her gift a secret from everyone including her family and closest friends. Years later, Mia is in middle school and is still struggling to understand why she is different.

I'd never heard of synesthesia until I read this book. It isn't something that I think most people really hear about. But synethesia is a "neurological condition in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway" (Wikipedia). In A Mango-Shaped Space, Mia can see sounds and each number/letter has a color associated with it--so when she reads, she sees the color associated with the letter not the black ink that it was typed in.

It sounds fascinating, right? And it is. But as interesting as it is to hear about synesthesia, there are parts of the book that feel a bit like reading a pamphlet about the neurological condition rather than a novel about a girl. Mass finds it difficult to avoid throwing in so many facts that it can often get in the way of Mia's story. A Mango-Shaped Space is written for a younger audience--late elementary school to early junior high--and it isn't a book that I think most adults would enjoy reading it on their own. The language and story are almost too simple. I may have enjoyed this book ten years ago but right now I found it slow and contrived.

A Mango-Shaped Space is a book that many young readers will love. I can only imagine how helpful it will be for children and the parent's of children with synesthesia--to help them know they are not alone. And for that reason alone I tried to fall in love with it but I couldn't seem to connect with the story or the characters. If you are interested in synesthesia, this book would be an excellent place to start. But understand that this is a children's book and it may not be able to entertain an adult for long.

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A Bone to Pick

A Bone to Pick is the sequel to another Charlaine Harris book I've read and reviewed, Real Murders. Since the events of Real Murders, most of the members of the club [a club where members would meet to discuss famous murders in history] have lost touch but when one of the  members, Jane Engle, has left almost everything to Aurora "Roe" Teagarden, Roe begins to wonder if Jane'd had pure intentions when she'd written her will. After finding a human skull hidden in the old woman's house, Roe realizes that Jane wasn't the sweet old lady she had once thought her to be and that it was very likely that she had been murdered.

Although Charlaine Harris is known for her Sookie Stackhouse novels, she got her start in murder mysteries--without the super hot vampires and werewolves.  A Bone to Pick was an incredibly easy read--I already had this connection with Aurora from the first book and it was easy to get settled into that small-town, southern feel again. Her love life is a little all over the place but Aurora is someone that any single girl can sympathize with--in fact I would argue that her personal life is a bit more interesting than the actual murder mystery, which for most of the book seemed unfocused. Aurora didn't do a ton of investigating work--other than casually interview her neighbors and searching the house for clues--and it felt like most of the clues [and even the identity of the murderer] fell into her lap by pure chance. I understand that Aurora isn't supposed to be a trained detective but she was sleeping with a cop for how many months? She must have learned something!

Also, when the big reveal happened at the end it was very anti-climatic. The murderer confessed and the confession wasn't even that compelling. I thought the story was well-written but the murder-mystery part of the plot was all-in-all rather lackluster. With Real Murders I wanted more romance, so Harris gave Aurora more lovey-dovey drama--hopefully in the next book she can get the perfect mix of murder and love.

In comparison to her other work, I find that this novel is somewhere in the middle. Her Sookie Stackhouse novels are such a guilty pleasure and every time I can't wait to get my hands on the new book, while her Lily Bard mysteries are bit too short and shallow for my taste. A Bone to Pick is a good summer read--something to pass the time and nothing too incredibly complicated. It isn't a must-read but if you get the chance, I would say go for it.

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Atonement

During the summer of 1935, Briony Tallis is standing on the brink of adulthood. She is beginning to notice the world around her but she doesn't quite understand it. She is frustrated by her cousin's unwillingness to listen to her and she is confused by the flirtation between her older sister, Cecilia, and Robbie, the son of a servant. In a moment of naive youth and misunderstanding, Briony accuses Robbie of an act he did not commit. But her lies, malicious or not, have repercussions that no one could have predicted.

The overall plot of Atonement is, in actuality, very simple. But McEwan takes this simple plot and infuses it with heart. Briony, Cecilia, and Robbie start the novel as entirely fleshed out people. They seem so real, their emotions and motivations so clear, that it is almost as if they could walk off the page. As the novel drags on, Cecilia's voice is lost when McEwan decides to no longer narrate from her perspective. That may be one of the reasons that Part One is the most striking section of the book. It is beautifully written--taking the time to really explore the ideas of misunderstanding, intentions, and transformations. McEwan does not take the easy route in this novel, instead he creates an honest and real story. He does not simply paint Briony as this villainous, self-centered monster nor does he portray Robbie and Cecilia as wounded victims.

The second and third parts seem to loose focus--McEwan takes a lot of time and many pages to recount monotonous details about military and nursing life during World War II. The story of Cecilia and Robbie becomes a bit lost. In the end of Part Three and in Part Four, the story refocuses its lens away from war and death to the main trio. The ending speaks to our desire for happy endings in a world filled with tragedy. Briony needs Robbie and Cecilia to be together. She needs their love to be stronger than the pain of war and the consequences of her actions. She needs to atone for her actions. We like to think that we abandon the need for fairy-tale endings when we grow up.

Atonement is a difficult read. I tried it once before. I even remember reading it while I waited in line to get my driver's license. It's only been three years but I read the book completely differently. It's probably because I matured a bit--because I know for a fact that it's pretty much stayed the same. It is a hard book to tackle but in the end it is so rewarding. It challenges readers to think about the things we take for granted--like the moment when our unconscious thought becomes action--and to think complexly about the world around us.

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The Choice

Gabby moves to a new town to be closer with her boyfriend of four years, Kevin. Just her luck she happens to move in next door to a very attractive, very single, very charismatic man. But she isn't interested in him. No. She has a boyfriend. Then why did she find herself spending so much time with him? And thinking about him...a lot? As she gets to know Travis, she begins to realize that she has to make a choice. But that is nothing compared to the one Travis is forced to make. A choice that can't be undone and will change their lives forever. 

Normally, I find Nicholas Sparks novels slightly pretentious and forced. It is one of the reasons I haven't finished one in years. It is the same routine over and over again. Two people fall in love. Someone dies. Whether it's the dog, or the friend, or the woman, or the man. To be fair Sparks tries to push himself by adding different woeful tricks to his novel--a cancer patient here, an autistic son there--but a lot of the time, it can seem like just that--a trick. Sparks is searching for another tragic twist that will leave his readers bawling but by now he is grasping at straws. This can cause his writing to appear mechanical, stiff, and coerced. On the surface, The Choice wasn't significantly different than the other NS novels I've started and then quickly abandoned in the past. But this time it works--well, sort of. Probably because the true "tragedy" of the novel didn't become evident until I had already become invested in the story. 

The story of Gabby and Travis is cute. It seems like something that could happen to a friend or a sister. It is a sweet story about a boy and girl who fall in love. It is predictable and sappy. But when you pick up a Sparks novel, you are in the mood for sappy. But a little sap goes a long way. That is something Sparks seems to forget. The Choice cute summer read. It tries a little too hard in places but we can forgive--and try to forget--because the central couple is so adorable. And as a reader, I couldn't help but root for them. Don't we all wish we could find a good boy who likes to travel the world, scuba dives, likes children and wants a family, owns a lot of land, has an amazing body, and brings in a vet salary? Oh, Nicholas Sparks. You really know how to get a woman's heart pattering. 

The Choice is an enjoyable book to pass the time. It isn't life-altering and it is quite forgettable but there is no denying that it is cute. It isn't quite the tear-jerker that Sparks is known for but it is sweet and easy to read. 

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Never Let Me Go

Kathy H. is a student at Hailsham. She is a clone who, at the right age, will donate her organs to save the lives of the humans she was created to save. Kathy and her fellow students never question this. It is the way it is supposed to be. The guardians at Hailsham are quick to remind the students how special they are but as Kathy and her friends Ruth and Tommy get older they begin to hope for a different future.  

  

Since the real plot of the story is only hinted at for the first half of the novel, this novel is very character driven. Thankfully, they are, in most cases, extremely well-fleshed-out motivated by commonplace desires and fears. Ruth is a horrid character but her desire to be included and her fear of loneliness makes it clear that she is not a the bad guy to Kathy's good guy. They are both imperfect creatures but it is easy to side with Kathy because as readers we are inside her mind. Kathy seems so human in her narrative, it is often easy to forget that she is in fact a clone. Her tangents are a large part of that--even if the overall effect is to make the book more dull. It is like when your friend is telling a funny story about their cat and they feel the need to describe the color of shirt they were wearing when it happened. Ishiguro also does a brilliant job of inserting little moments that are so innately human that they are easy to overlook.

  

In the strictest sense Never Let Me Go is a science-fiction novel that presents an reimagined image of our past where clones were created to serve as organ donors. But it is so removed from any science-fiction that I've ever read that it is hard to lump this book into that category. It is not an easy read. It is a book that very much requires the correct mindset. It is not a happy book, to say the least. But it is a powerful one. The scene that sticks out especially in my mind was the one with Kathy dancing with the pillow when she was a young girl. I can see it so vividly in my mind, from Madame's point of view and from Kathy's. It is such a simple scene but a truly beautiful one.

  

Never Let Me Go is not an obviously good book. It doesn't fascinate and ensnare readers at first glance. In actuality, it is a terribly hard and boring book to read at times. The prose can feel long, overly descriptive, and a bit monotonous in parts. It is not until moments after the last page has been read and the book lays closed on your bedside table that the beautiful haunting spirit of the novel finally hits. The story of Kathy and Tommy and Ruth. The tragedy and the pain of letting go to our dreams and the people we love. The experience is heighten even more with the movie adaptation's soundtrack playing in the back of your mind--particularly this little gem, Reprise.

  

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